Seventh Son (2015)

This was not a good movie. It pains me to say this because I have a friend who worked on it (the visual effects were great, B!) but oh boy.

Okay, now that I’ve blurted out my thesis, it’s time to back it up.

First of all, is anyone surprised? When my friend Annie told me she had early screening tickets on Wednesday, I had no clue what she was going on about and very vaguely knew that it was a movie at all. Something something… fantasy or sci-fi genre? Am I out of the loop or did it seem like there was very minimal promotion going on for this? (Not a rhetorical question, it is entirely likely that I just was never targeted for advertising for this movie.)

I am assuming that all the actors in this film were really well-paid because ugh, it was just awful. I really take issue with the writing. The dialogue made me roll my eyes into the back of my head and the plot points were so loosely tied together. The movie itself was pretty short, which was great for me because that meant I didn’t have to endure it for more than 2 hours. But maybe they could have used some extra time to build the world here? World building is crucial and I will never excuse any book, movie, TV show, etc. that doesn’t take care to do it. I mean, there’s a scene where we are looking at a tombstone. It says “REBEKKA” backwards. Is this the script of this grand world? Mirrored English? That was one of the worst offenses, that they made such a laughably barely-half-arsed attempt at the world-building. This is a movie based on a book series, the world-building is done! You just have to put it in the movie!

You know what’s worse than a movie with an all-white cast?
A movie where the only people of color are the secondary villains who have zero character development and are killed off.
Djimon Honsou is in this and it’s such a shame that his talent is wasted here. There was an Asian secondary villain who doesn’t have any freaking lines before he is killed. Do not even get me started on the black female secondary villain who takes the form of a leopard. She is reduced to an animal much more than the other villains, and the Asian one was a bear chained in a cage for most of his scene, so that’s telling. And of course, she has no lines. At least Djimon Honsou had lines.

I cringed during most of Jeff Bridges’ and Julianne Moore’s scenes. I think I cringed most watching Julianne Moore play this poorly developed villain. I couldn’t help think of her standing in front of a green screen pretending to wield magic while she has been nominated for an Oscar for the fifth time. I’ll go more into how I think her character fell completely flat later, but just… know there was a lot of putting my head in my hands in the middle of the theater. I don’t blame her at all. She did the best she could with what she was given… but she was given baloney.

Jeff Bridges, the Oscar-winning actor, may have known this was all ridiculous. He uses this strange affect when he speaks in this movie, like if Sean Connery was trying to play Gandalf. Maybe his character is supposed to be a kind of washed up old fool, but it was still very sad to see him like this. I’d like to think that he knew this whole movie was ludicrous and was just having fun while getting paid.

Ben Barnes actually did a pretty good job. I’m not familiar with his work (sorry Prince Caspian fans) but you know what, he looked good in this role and I think he delivered. Not sure why his character was the only one with any real depth but okay then. I’d watch more movies with him after seeing Seventh Son.

If you’re familiar with my reviews, you might know that I care deeply about world-building and relationship-building. The relationships between characters bond us to them more than their actions independent of other people. The relationships in this movie were almost all BS. There’s, obviously, a love story and it’s completely limp. It drives much of the plot ending forward and I was so detached from it that I was really disgusted. Two attractive actors with some on-screen chemistry does not a love story make! The only maybe compelling relationship, to me, was of Tom Ward (our protagonist) and his mother. His mother was a pretty cool character, played by Olivia Williams, and I maybe felt most attached to her. But maybe that’s just because it’s easy to write maternal traits without having to do much else.

I mean… I have so many negative things to say here. A waste of Kit Harington, who is only in the movie for the first 10 minutes, sorry to all his fans. A waste of admittedly, as I said early, really nice visual effects to create magic and mythical beasts. A waste of what seems like it was a really cool world. This story is just empty and flat and I had no reason to care about it. I was so uninvested in the characters, in the story, about 5 minutes into the movie. Spoiler alert: Gregory locks away Mother Malkin and she escapes because “time made her stronger” and that is the impetus for our conflict? That after enough time passed, she could just leave her prison? As soon as this happened, and Julianne Moore was introduced in just an utterly tragic costume, I knew this movie was worse than I thought it would be going into this screening.

I’m just going to show you the trailer now, I guess. More ranting afterwards.

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Birdman (2014)

Oh, where do I start with Birdman. It was so different, so bold, so ambitious, but it pulled off what it was looking to achieve so perfectly.

The thought I had consistently throughout this film was how meta it is. The film was a really thoughtful satire about acting, theater, Hollywood, critics, Michael Keaton’s career, and more. Extremely self-aware, extremely reflective. So good.

I don’t want to spoil anything, but one of my favorite things about this film was how it played with audience expectations. I’ll talk more about it after the trailer, but let me tease you by saying it reminded me of Magritte. This movie was so introspective that it made me think of surrealist art. My friends and I left the theater feeling like we had left one of our humanities seminars in college.

First of all, it stars Michael Keaton as Riggan Thompson, a washed up actor who previously found fame starring in comic book superhero films “Birdman”. You did hear me mention that this film satirizes Michael Keaton’s acting career, right? Maybe it would have been a more subtle satire if they had cast a different actor, but it was so perfect with Keaton playing the role himself. (For those not in the know, Michael Keaton is most famous for playing Batman in Tim Burton’s films Batman and Batman Returns.) The movie mirrors his career very closely; at one point, he cites how the last Birdman movie he did was in 1992, which is the year that Batman Returns was released.

Michael Keaton is great. What a stupendous performance. I really know him best from Beetlejuice, actually, but this has really opened my eyes to Michael Keaton as an actor. Amazing comeback performance. He delivers so simply but deliberately. Just excellent work on his part.

I loved this movie stylistically. The pseudo-one-take style made for really great transitions that I was a big fan of. One criticism is that the shakiness of the camerawork would get distracting. It really lent an indie film feeling to it, not really in a good way. It would seem amateurish at times, to have tight shots that were wavering over an actor’s face.

But speaking of these tight shots, I really appreciated the emphasis on the actors’ monologues in this. Combined with the seamless cinematography, the monologues added to the theater feeling of this movie, which I found refreshing. How often do you watch a movie that feels a bit like watching a play? Even when Hollywood adapts plays for films, you lose that. I loved this.

I also have to really commend Edward Norton. I haven’t seen a film of his in a long while and this performance is pretty different from the ones I’ve seen in the past. He plays Mike Shiner, a diva stage actor who is incapable of much else but acting. I forgot how much I love watching Edward Norton. He is the secondary protagonist, I would argue, for this film. While he is the source of most of the comic moments in the film, there’s this darkness in his character that we see slowly being resolved over the course of the movie. This is the kind of role that makes you an Edward Norton fan, trust me.

Director Alejandro González Iñárritu did a great job and I appreciated many of his little deliberate touches. For example, in the opening shot, we see a brief glimpse – maybe a one-second cutaway – of jellyfish on the beach. If you weren’t paying attention, you wouldn’t have know what it was or you would have missed it completely. By the end of the movie, we know what this moment was, it is significant. Little things like this are so pleasing to me in movies, tying little ends together at the beginning and end of a film.

More comments after the trailer:

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Inherent Vice (2014)

I got to attend a screening of Inherent Vice thanks to Cloture Club this past Wednesday. (It had a limited release late last year and will have a wider release today.)

I didn’t know too much about the movie going into it. I’d only just started seeing some trailers and commercials, and they didn’t tell me much about the actual story. (Much like how I felt about the Interstellar promotions.) (ALSO I’m going to talk about Interstellar soon. If I don’t, bug me about it.) The initial impression I got from this was a very American Hustle-esque vibe of nostalgia for an older time with some investigative hijinks? Also, check out that cast list, it is not to be trifled with. We have an awards-season gunner here.

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Going into the movie, I suspected it wouldn’t be my cup of tea. I mean, here’s the description I was given before the screening:

Inherent Vice” is the seventh feature from Paul Thomas Anderson and the first ever film adaption of a Thomas Pynchon novel. When private eye Doc Sportello’s ex-old lady suddenly out of nowhere shows up with a story about her current billionaire land developer boyfriend whom she just happens to be in love with, and a plot by his wife and her boyfriend to kidnap that billionaire and throw him in a looney bin…well, easy for her to say. It’s the tail end of the psychedelic `60s and paranoia is running the day and Doc knows that “love” is another of those words going around at the moment, like “trip” or “groovy,” that’s being way too overused – except this one usually leads to trouble. With a cast of characters that includes surfers, hustlers, dopers and rockers, a murderous loan shark, LAPD Detectives, a tenor sax player working undercover, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dentists… Part surf noir, part psychedelic romp – all Thomas Pynchon. 

Are you confused? I sure was.

And to be honest, I was still confused coming out of the movie. One thing I will say off the bat is that Paul Thomas Anderson did a really wonderful job of transporting us back to that late 60s/early 70s time in American life. It’s not only the obvious costuming and set design, but the camera work and the editing. Lots of tight angles, a nostalgic grainyness… if you had not seen a movie in the last 40 years, this movie would seem very familiar stylistically to you. In one of the opening shots, we see Katherine Waterson, who plays Shasta Fey, looking so incredibly mod and the stylizing of the shot makes her look even more authentically mod.

This still is brighter and clearer than this scene was in the film.

Joaquin Phoenix delivers a great performance, as usual. He is also rocking some really incredible sideburns.

Them muttonchops put Hugh Jackman’s Wolverine to shame.

Also, for fans of Walk the Line, we see Joaquin Phoenix and Reese Witherspoon reunited.

This morning… with her… having coffee…

Before I attempt to talk about the plot (which I really barely understood…), I’ll just go over some thoughts:

  • Do not see this movie with your family unless your family has a special bond that allows you to see a movie with a lot of nudity, sex, and excessive use of the phrase “pu**y eater”. (I mean it.)
  • There is also a lot of drug use in this movie. It’s important to the plot and the themes of the film, but not important enough to warrant how much it’s mentioned or shown in the film.
  • The movie is narrated by Sortilège, a chracter who is in the film as one of Doc’s friends but otherwise… serves no real on-screen purpose? Unless I’m missing something? I don’t know why there was a need for her to be this on-screen character who is a friend to Doc for about 5 minutes total of the film. She was a good narrator, don’t get me wrong, but having her be an on-screen character confused me a bit. I think it was meant to make her seem like part of the story, but she was maybe the only character who had just nothing to do with any of the interwoven storylines.
  • Owen Wilson always plays Owen Wilson. I would like to see him challenge himself as an actor to not play Owen Wilson.

Also, you will get certain cravings in this movie:

  • Pizza
  • Fudgesicle (which actually turns out to be a frozen chocolate-covered banana)
  • Frozen chocolate-covered banana
  • Pancakes

All in all, this movie wasn’t really for me. At all. I would compare it to Burn After Reading. If you liked that, you’ll likely enjoy this. It has a similarly nonsensical, all-over-the-place plot, and even a similar theme of paranoia. Not my cup of tea, as I said before.

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That being said, there were a few shining moments for me. Some very random moments that were just really funny, very randomly emotional moments. It wasn’t a complete waste on me, but I just walked out of the theater not sure how everything started, ended, or what was really going on in between. It felt like just as the weirdness had plateaued, something else crazy would happen. Again, I am sure this was intentional but it’s not something I personally enjoy in movies.

This trailer actually includes most of my favorite moments from the movie:

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2014 in Film

It’s that time of year again! I hope you have all been having a lovely holiday season! I somehow managed to get myself to write way more movie reviews this year than I have in previous years, thanks in part to my discovering a decent system for finding free early screenings.

Criteria for this list are as follows:

  1. I saw it between 1 January 2014 and 31 December 2014
  2. It was released between 1 January 2014 and 31 December 2014
    • Exceptions will be made if they were released internationally this year
      • Snowpiercer was first released internationally last year but was released here this year so this is an exception to the exception
    •  The Wedding Ringer will be on next year’s list (if I don’t forget)

Without further ado, here is my 2014 movie roundup, in the order provided by Wikipedia:

* = early screening
** = not seen in theaters (streaming service/in-flight movie/DVD rental, etc.)
No notation indicates that I saw it in theater during its release

  1. Ride Along*
  2. From Vegas to Macau
  3. Ex-Files
  4. The Lego Movie**
  5. The Grand Budapest Hotel**
  6. Captain America: The Winter Soldier
  7. The Right Kind of Wrong**
  8. Divergent
  9. The Trip to Italy
  10. X-Men: Days of Future Past
  11. The Fault in Our Stars
  12. Edge of Tomorrow
  13. Guardians of the Galaxy
  14. Snowpiercer**
  15. The Maze Runner*
  16. The Imitation Game 
  17. Gone Girl
  18. Big Hero 6*
  19. The Hunger Games: Mockingjay – Part 1
  20. Into the Woods*
  21. The Hobbit: The Battle of the Five Armies*

Total = 21*

*Updated 30 December with a last-minute addition to the party!
*Updated 31 December because I forgot I went to the movies in China!

I’m realizing I missed a lot of films that I really wanted to see this year. It was a really crazy year for me, and seeing movies was one of the things I sacrificed in the midst of all that chaos. (I mean, I had been wanting to see Snowpiercer since last year and I watched it yesterday so…)

Previously: 2013 in film || 2012 in film

(Do I watch fewer and fewer new releases every year, what’s going on…)

I may watch more between now and December 31, but here’s what I’ve got for you all.

2014 in film

What did you watch this year?
What movies that I missed do I have to make sure I see? (I know there are a lot, so I need help prioritizing.)

I’m a Moron & Questions About BotFA

Yesterday, I was invited to go see a late-ish showing of The Hobbit: The Battle of the Five Armies with some of my high school friends. I wanted to say no originally, because I’ve seen it already and I needed to be up pretty early this morning, but then I reconsidered and decided I have to stop saying no to opportunities to do fun things.

Anyway, we had a group of 6 people total and were taking my friend’s minivan. Since I was one of the first people to get in the car, I thought it was only right for me to climb into the farthest back row rather than the middle row, so that I wouldn’t have to force people to climb over me. The minivan is well-loved, so the lights in the car didn’t turn on when the car doors were open and… well, the back seat wasn’t up. So when I climbed around the middle seats, turned around, and reached behind me for the seat…

I just landed on the floor of the van. Hard. On top of a tire iron, actually.

OH how we all laughed. I laughed the hardest, I think because my body didn’t know how to deal with what had just happened. I really thought there would be a seat up and had not even considered that it might be stowed away. My friend opened the trunk door to see my just on my butt, on this tire iron, laughing hysterically but also in pain.

There is now a bruise on my outer thigh/hip/butt area that doesn’t look too bad on the surface at all, thank goodness. (But it does hurt quite a bit to lie on my side. D:)

NOW I have a lot of questions about BotFA and a second viewing just made them more salient in my head. They are spoiler-y so they will come after this video. Please keep in mind that I have not read the novels so if these are questions that can be answered in the novel, or that you know the answers to, please do let me know! I want to know what is going on here.

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