Thanks to a spur-of-the-moment invitation from my friend Annie, and a promise to myself to try to be more spontaneous and open-minded, I attended an early screening of the new holiday-centered ensemble-cast movie, Mother’s Day, brought to you by the same folks behind Valentine’s Day and New Year’s Eve.
Well, it is a Garry Marshall movie, at the end of the day, but I I did feel myself laughing and having my heartstrings tugged more than I expected. Mother’s Day has a smaller ensemble cast than the other holiday-themed movies do; whereas you’re juggling something like 20 stars in the movie (and on the poster!), we really only have a few storylines to follow in Mother’s Day, and as a result, there isn’t as much reaching around to connect the characters to each other.
I feel like where Mother’s Day does well is pretty relatable mom-centric stories, whereas previous movies mostly fun but ultimately super improbable romances.
- We have the military family whose widowed father is struggling to raise 2 daughters by himself for the first time.
- We have the divorcée who must share her kids – and her ex-husband – with a very young new step-mother.
- We have the sisters whose close-minded parents would never approve of their spouses and, therefore, don’t know about them or their grandchildren.
- We have the career woman who was forced into choosing her career so aggressively that she denies ever having been a mother until her daughter finally contacts her.
Mothers are pretty hard to mess up on making an emotional connection with the audience about, and I felt like this movie was definitely better at touching viewers than the past holiday incarnations were. As incredibly cheesy as this movie was, it was still a fun watch. If you are here for a non-cheesy rom-com, look elsewhere.Read More »