Joy Ride (2023) [review]

It’s been an exciting time for Asian representation in Hollywood cinema. We’ve been seeing more actors of Asian descent portray more types of characters than past decades have chosen to depict, and we’re getting to recognize a much larger number of familiar Asian faces portraying them as well!

A few months ago, I was invited to an early press screening for Joy Ride, the upcoming directorial debut from Adele Lim, who has previously written for Crazy Rich Asians and Raya and the Last Dragon. The trailer first crossed my social media feed via this tweet from Phil Yu, aka Angry Asian Man:

I don’t usually seek out raunchy comedies, but modern entries in the genre have been getting really fun with this nugget of an emotional core that has been increasingly better-executed than past generations. To see one led by an all-Asian and all-woman cast is really exciting, and the trailer looked funny! Would we get something like Girls Trip for millennial Asians?

TL;DR Yes! Joy Ride is such a fun ride from start to finish. It is packed with laughs, save a beat at the end where we explore its emotional core to incredible success, and manages to avoid relying on Asian-American comedy tropes that have become tired.

This cast is stellar, and I was so excited about the cameo appearances from other Asian actors who I recognized from Marvel, a favorite HBO show, Crazy Rich Asians, and more. In a time when there is validity to the complaint that certain Asian actors become popular and get cast in “everything” or will often appear in movies and TV shows together, it’s really nice to see just how many Asian characters we have been getting recently in movies and TV and the increased diversity in just the casting of these characters. And don’t worry, with 2 Broadway musical actresses in main cast, we do indeed get a bonkers musical number.

Honestly, I went into this movie thinking it would be a pretty shallow roadtrip movie with some toilet humor and too many jokes about Asian diaspora that are overdone, in my opinion as someone who has been in the Asian culture space for a long time. But I was really pleasantly surprised that this movie managed to be so irreverently funny while still having a strong emotional core, touching on Asian-American identity in a way that felt fresher than I’ve seen in a while in addition to topics like internalized racism, cultural barriers, sex positivity, artistic expression, queer identity, family dynamics and expectations, and more. And it does so while still showing some truly unhinged moments that I could not believe my eyes at.

Also, if the think pieces and blog posts are any indication, many people only venture out to the movie theater for huge action movies and/or to avoid having a big franchise storyline spoiled during opening weekend. I had forgotten how much fun it is to watch a comedy with a full theater laughing together. I’ll admit you may get annoyed about not being able to hear some dialogue over particularly raucous laughter but it really enhances the experience when you’re able to let loose and laugh out loud at a comedy versus watching something alone and quietly. Plus, not only did my theater laugh out loud throughout much of the movie, but the emotional beat the end had many of us crying, with the sounds of sniffles and a “girl are you crying right now??” heard from all around me, a very unexpected surround sound experience to get from this movie.

Joy Ride is in theaters TODAY, July 7th. Spoilers below the jump if you’d like to read more thoughts~

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2022 in Film

Perhaps my longest-running blog post series aside from my resolutions, we finally arrive at my 2022 new movie releases round-up! Letterboxd says I watched a grand total of 72 films this year, including some not-feature-length things I logged. I log everything I watched on my 2022 Media Log but I really like my over a decade-long (!!) tradition of listing the new release feature films I watch every year on this blog. (Older movie round-ups live with my old blog in Davy Jones’s locker somewhere now.)

Here are the 2022 releases I watched this year:

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2021 in Film

In the wake of last year, this year felt very different for movie-lovers. For one thing, we were able to (kind of, almost) safely return to theaters. And many projects that had been delayed last year were released this year. It felt like a much more… hopeful? year for the movies. At the same time, streaming really had a strong year. Many of the movies I saw were streaming-exclusive, during a year when the IATSE nearly had to strike due poor work conditions and lower wages for the “disadvantaged” streaming companies, compared to traditional Hollywood studios.

This year, I also successfully used Letterboxd to log every movie I watched, so you can head over there to see every movie I watched this year beyond this year’s releases, and you can look at my 2021 Media Log to see everything I watched, read, and listened to this year.

Here are the 2021 releases I watched this year:

Movie posters from all the 2021 releases I watched this year
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2020 in Film

So…
… it’s been a really rough year for movies, among other things. I can’t even really differentiate movies I watched in theaters and not, since movies stopped being shown in theaters a long time ago and many movies that I was looking forward to seeing this year have been delayed to next year.

In the olden days , I’ve noted the exceptions that were watched outside of their theatrical release, as in I had to watch them on a streaming service or even on an airplane. Well… this year, the only movies I saw in theaters were originally released in December 2020. Every new release I saw this year was on a streaming service. (I only saw 2 movies in theaters, back in January.)

But I did still watch a lot of movies, many of which were released this year.
(If you’d like to see every movie I watched this year, regardless of release year, you can check my Media Log.
I am thinking tracking movies on Letterboxd next year, after years of neglect, so let me know if that is something you use and you can add me!)

Without further ado, here are the 2020 releases I saw this year:

Collage of posters for movies watched in 2020
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My Issue With Disney Live-Action Remakes (and Some Suggestions)

After going off about the soon-to-be-released Mulan live-action adaptation, (and seeing that they are remaking the animated Robin Hood,) I do need to give credit where it’s due on that film because it does not have the issue that I most take with Disney’s live-action remake:

The live-action movies should be human stories. Any non-human characters are unsettling and live in the Uncanny Valley.

The example I get most heated about is the 2017 Beauty and the Beast remake. (I’ll talk about 2019’s Lion King in a minute.) When the movie was first announced, I’ll admit even I was excited, even about the casting of Emma Watson! (Who among us did not fall for that Tumblr rumor that she was cast years and years ago with Guillermo Del Toro to direct?) But then I saw the trailer… with the creepy live-action Mrs. Potts and Lumiere and Cogsworth…

NO THANKS

I can never unsee them. I actually stopped wanting to see the movie and only watched it on a streaming service much later because my husband is a big Emma Watson fan. (I can’t get into the music in this post…) It is just really unnerving to have so much time spent on non-human characters.Read More »